“European music may properly be classified under two large, general divisions: older and newer music. The dividing line may approximately be drawn at the year 1600. …During the entire process of musical development there may be observed an uninterrupted struggle for a steadily increasing refinement of the means of expression.” Knud Jeppesen, The Style of Palestrina and the Dissonance
He also says that “the most radical expressional change that ever occurred in the evolution of music” was “the transition to the opera, to the ‘assionate’ music introduced in Italy towards the end of the 16th century.” Which, I guess, means that Knud Jeppesen subscribes, in some say, to the Monody Argument. Does everybody? Then why don’t we teach it that way in schools these days?